Steven Spielberg’s mission is to make a famously corny plot stand up amid the gorgeous songs.
It’s the “ET” director’s most visually exciting film in a zillion years. Still, it's not gonna become a classic in the way the 1961 original did
Licorice Pizza proves that when the art-house auteur wants to, he can make (somewhat) conventional crowd-pleasers with the best of them.
D.C.-raised Dave Chappelle did a surprise set at his alma mater Tuesday night and got an earful of woke from triggered teens. “Your comedy kills,”…
“Licorice Pizza” is a movie you will cherish for a long time after the lights come up
Ridley Scott’s House of Gucci borrows Martin Scorsese’s tricks in service of slow, muddy storytelling about murder-minded Italians.
For once, you don’t envy the lucky people who get killed by zombies
The abysmal “Gucci” would get a better grade, perhaps, if it was a term paper titled “How to Make the Assassination of a Famous Person Boring.”
Will Smith serves up aces in King Richard, but the film makes Venus and Serena Williams almost incidental characters in their own rise to greatness.
On Oct. 20, 2011, the president of the United States announced, in a clip cruelly replayed at the outset of “13 Hours: The Secret Soldiers of Benghazi” that the death of Moammar Khadafy marked...
With âFading Gigolo,â writer-director-star John Turturro does a passable imitation of a mediocre Woody Allen sex comedy, and guess who tags along for this would-be romp?
No,...
The “Fresh Prince” is dead! Long live the “King”! Will Smith re-ignites his fading career as Venus and Serena executive produce a well-rounded biopic about their controversial father
Jason Reitman builds a nifty bridge across the generations in the endearing sequel Ghostbusters: Afterlife.
Kenneth Branagh’s Belfast is a wonderfully intimate and deeply personal little picture.
Despite its Oscar-winning director, Eternals is a bottom-of-the-barrel Marvel superhero saga.
Just out of “Infinity Bore” — sorry, Marvel’s “Eternals.”
For the five readers who cherish movies about journalists, there are a couple decent jokes about these divas going over their word count and that sort of thing. Otherwise, it's not so much a paean to writers...
Halloween Kills offers too much violence and virtually no wit.
The Stones pull a quintessential song for the first time in their touring history.
Ridley Scott’s The Last Duel is a violent visit to a strange time, not a #MeToo for the Middle Ages.
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